THE ARTIST IS PRESENT | Mask Blog
These days in Kino bangs coming movie Marine "Great" Abramović with the same title, which was premiered in January 2011 Sundance Film Festival. The story is very simple; the backbone of the film is the "entry" in New York Marine andrej pejic Momo; and of course everything that has led up to this. All family junk, which is Marina grew up, her collaboration with Ulay, and finally, to the climax of her career, which ends in her eyes, in her view, that meets with your eyes, which sit across from her on another chair, and you're very lucky that you live to see its type in the crowded museum and to "načakal" ticket to the hot seat and its five minutes that you allocate them in a guarded room in the middle of Moma.
In general, the MoMA in summer days in New York all the time full, most Fridays, when from 16 to 20 pm Free admission. andrej pejic A long snake of people winds a few tens of meters and in line waiting for a free ticket for the "museum of museums." And when I was a long waiting finally came inside me as soon as I arrived in the room, had to ran out. Truma people is that July day Setälä by Momi are anything but art lovers. More often than not quite ordinary tourists, andrej pejic MoMA is the day looked like one big shopping moll, where "tender" Love, which makes your smartphone. Oops. Clean from the belief that now that I'm here, I'll have a little look, I stayed. andrej pejic However, all the noise and rubble around me do my own. If you now think what I remember the most - not much of it. No sharp image in my head, no strong sense of just constantly avoiding action crowd, which is like a snake winds its way throughout the museum premises. In any store, at any concert I've never seen such a crowd, except once at the airport of Newark, when we were all together Basal through one and the same terminal.
And as the New York art terminals in summer turning into shopping molle, it seems as if we are in favor of such a crowd in a direct sense can not speak. At least in the sense that people will suddenly yelled at some of the things, if not this stuff happen to anything for free. Throughout the flood of "End of season" and the late-summer and early-autumn festival this year, I was most surprised festival Dolls 2012th Kindly, quality and - full. Almost all performances. As I was immensely happy. andrej pejic And those who sit in positions somehow do not understand. What exactly do you understand? Namely, that shopping with us Molli not form that would somehow suit the size of cities, the composition of the population and other general geographical, historical, sociological, and ultimately, the economic indicators. At least in the long run not. America, it is impossible to map. We are a small country, where economies of scale can act only superficially in waves. When people ever accidentally over as crazy, but it passes quickly. Of course there are great bands and there should be. But not at the expense of the cultural policy makers decide directly on the digits and percent, as will what will this achieve only effect of large sturgeon story of Darwin's latest nightmare, the only other fish in Lake Victoria, the only remaining species in a dying water.
The story of Marina Abramović so, with all due respect to the great artist, in a sense similar to the story of Martin Strel. Both (from the point of view of the United States) come from a far-off exotic environment, both doing things that streamlined the West understands only retrograde, ie back, and both of its unusual appearance and a strong personality, andrej pejic is in itself its own best PR. And of course, both need assistants who care for them. Martin was like floating man first on the list of Jan Fabre, andrej pejic where he was a coach Festival Exodos to get a discussion on the topic of "physical body", while Marina first fascination of some theorists who followed her early work and try to find a theoretical distinction of genre performance. However, what Marina brings, especially an unusual moment of inertia, which stems from pain, and as such is consistently well executed - to pain. Martin while floating andrej pejic between crocodiles. Somewhere "on the other side of the tunnel" under the Ljubljana Castle in the moment inspires someone who has only your skills, your knowledge, your head and your sense of humor. Solce example. And it's not the only one. Several of them are with us, but without personal assistants, no advertising, no PR-a. The artist is just present, but what if the art context is absent. But this is far from the only problem Arts. We have a lot of talent. Instead of giving their talent recognized as a blessing, it is (without proper assistants), marked as a curse.
This week the focus is clearly on Marina Abramovic. The artist vsepriostna - in MSUM's special andrej pejic focus in the coming days devoted to it also, in Kino bangs while playing a movie about her latest performance. The above described situation is overwhelming crowds and long queues of people, but if we add the next tears on the faces of some people who have looked to artists in eyes, on
These days in Kino bangs coming movie Marine "Great" Abramović with the same title, which was premiered in January 2011 Sundance Film Festival. The story is very simple; the backbone of the film is the "entry" in New York Marine andrej pejic Momo; and of course everything that has led up to this. All family junk, which is Marina grew up, her collaboration with Ulay, and finally, to the climax of her career, which ends in her eyes, in her view, that meets with your eyes, which sit across from her on another chair, and you're very lucky that you live to see its type in the crowded museum and to "načakal" ticket to the hot seat and its five minutes that you allocate them in a guarded room in the middle of Moma.
In general, the MoMA in summer days in New York all the time full, most Fridays, when from 16 to 20 pm Free admission. andrej pejic A long snake of people winds a few tens of meters and in line waiting for a free ticket for the "museum of museums." And when I was a long waiting finally came inside me as soon as I arrived in the room, had to ran out. Truma people is that July day Setälä by Momi are anything but art lovers. More often than not quite ordinary tourists, andrej pejic MoMA is the day looked like one big shopping moll, where "tender" Love, which makes your smartphone. Oops. Clean from the belief that now that I'm here, I'll have a little look, I stayed. andrej pejic However, all the noise and rubble around me do my own. If you now think what I remember the most - not much of it. No sharp image in my head, no strong sense of just constantly avoiding action crowd, which is like a snake winds its way throughout the museum premises. In any store, at any concert I've never seen such a crowd, except once at the airport of Newark, when we were all together Basal through one and the same terminal.
And as the New York art terminals in summer turning into shopping molle, it seems as if we are in favor of such a crowd in a direct sense can not speak. At least in the sense that people will suddenly yelled at some of the things, if not this stuff happen to anything for free. Throughout the flood of "End of season" and the late-summer and early-autumn festival this year, I was most surprised festival Dolls 2012th Kindly, quality and - full. Almost all performances. As I was immensely happy. andrej pejic And those who sit in positions somehow do not understand. What exactly do you understand? Namely, that shopping with us Molli not form that would somehow suit the size of cities, the composition of the population and other general geographical, historical, sociological, and ultimately, the economic indicators. At least in the long run not. America, it is impossible to map. We are a small country, where economies of scale can act only superficially in waves. When people ever accidentally over as crazy, but it passes quickly. Of course there are great bands and there should be. But not at the expense of the cultural policy makers decide directly on the digits and percent, as will what will this achieve only effect of large sturgeon story of Darwin's latest nightmare, the only other fish in Lake Victoria, the only remaining species in a dying water.
The story of Marina Abramović so, with all due respect to the great artist, in a sense similar to the story of Martin Strel. Both (from the point of view of the United States) come from a far-off exotic environment, both doing things that streamlined the West understands only retrograde, ie back, and both of its unusual appearance and a strong personality, andrej pejic is in itself its own best PR. And of course, both need assistants who care for them. Martin was like floating man first on the list of Jan Fabre, andrej pejic where he was a coach Festival Exodos to get a discussion on the topic of "physical body", while Marina first fascination of some theorists who followed her early work and try to find a theoretical distinction of genre performance. However, what Marina brings, especially an unusual moment of inertia, which stems from pain, and as such is consistently well executed - to pain. Martin while floating andrej pejic between crocodiles. Somewhere "on the other side of the tunnel" under the Ljubljana Castle in the moment inspires someone who has only your skills, your knowledge, your head and your sense of humor. Solce example. And it's not the only one. Several of them are with us, but without personal assistants, no advertising, no PR-a. The artist is just present, but what if the art context is absent. But this is far from the only problem Arts. We have a lot of talent. Instead of giving their talent recognized as a blessing, it is (without proper assistants), marked as a curse.
This week the focus is clearly on Marina Abramovic. The artist vsepriostna - in MSUM's special andrej pejic focus in the coming days devoted to it also, in Kino bangs while playing a movie about her latest performance. The above described situation is overwhelming crowds and long queues of people, but if we add the next tears on the faces of some people who have looked to artists in eyes, on
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